Looking for:
The Best Control Surface for Logic Pro X in
However, today most digital mixers can be used as control surfaces too. But digital mixers are very costly and generally logic pro x control surface free of pocket for home recordists. The best option for home recordists is, to use dedicated DAW control surfaces.
These are cheap and when it comes to controlling the DAW they have more functions than any digital mixer. From just 1 fader to several faders and limited control to extended control, there are several types of control surfaces available in the market.
Disclosure: This post may contain affiliate links, which means we may receive a commission if you click a link and purchase something that we recommended. Read more about Affiliate disclosure here. There are many reasons behind using control surfaces for home studios. Control surfaces make our workflow faster than operating with a keyboard and mouse.
They are designed with dedicated controls for separate operations like the transport bar, faders, and assignable buttons. These things make our workflow faster than the keyboard and mouse where we have to struggle with keyboard buttons to remember and logic pro x control surface free on the faders with the mouse. With controlled surfaces, you can extend the scope of your eyes. Yes, you can tune out your eyes from the computer screen and make some fun with analog-style controls. Actually, an analog environment is a basic need of any studio.
No matter how much this digital world captures the audio recording, the feel of the classic analog environment will always be in demand. And a control logic pro x control surface free can fulfill this demand in a better way. Control surfaces are a good example of a classic analog-style user interface with a powerful digital environment working behind it. Faders are used to control the gain of tracks in mixer and DAWs. The gain is measured in dB. When we increase the volume by 1dB the amplitude of the wave doubles.
This doubling nature logic pro x control surface free dB makes the faders more complicated in balancing low-volume instruments. And with a computer screen and mouse, you have to struggle hard to achieve your balance. Here control surfaces help us, where you can play with subtle changes in faders and get a better mixing than computer mouse and keyboard. Obviously, a control surface can change the look of your studio. If you managed to get a big control surface you can be able to change the whole look of your studio.
If you are going to automate your songs then a control surface is a must for you. With control surfaces, you can logic pro x control surface free achieve the best automation in no time.
As compared to digital mixers with the same number of faders and controls, control surfaces are far cheaper. You can get control surfaces with a fraction of the cost of digital mixers.
I know, you are wondering which logic pro x control surface free the best DAW controller for logic pro x? There are many control surfaces are available in the market that supports Logic Pro X.
They are under your pocket length, full of features, and also have a great-looking user interface. Whether you are tracking or mixing, logic pro x control surface free QCon Pro G2 provides intuitive control over your levels, EQs, effects, automation, and more.
It also features nine motorized faders, eight multi-purpose push encoders, 78 buttons, a jog shuttle wheel, and 2 foot pedal connectors.
With eight touch-sensitive motorized faders, you can easily control the levels of your tracks. The segment LED level meters provide visual feedback for each channels, and the large backlit LCD screen displays channel names and ссылка values.
The encoder knobs can be used to control EQs, effects, automation, and more. The eight multi-purpose push encoders перейти на страницу be used to control EQs, effects, automation, and more. The large backlit LCD screen displays channel names and parameter values. With iMap, you can customize the surface to work with your logic pro x control surface free DAW workflow.
With eight touch-sensitive motorized faders, segment LED level meters, a large backlit LCD screen, and a jog shuttle wheel, it provides everything you need to take control of your DAW sessions.
But overall, the QCon Pro G2 is a great sony vegas 13 crack for anyone looking for a high-quality control surface. With its motorized faders, rotary encoders and large LCD screens, the QCon Pro X provides a wealth of control in a compact form factor.
The QCon Pro X is also expandable, so you can add up to 64 channels of control as your needs grow. And with its included software, the QCon Pro X is a great value for the money. Including but not limited to:. The QCon Pro X also includes powerful plugin control and automation. The QCon Pro X is a control surface that can be expanded up to 64 channels, making it a great choice for larger projects.
With its expansion capabilities, the QCon Pro X can grow with your needs. Additionally, the QCon Pro X is expandable up to 64 channels, making it a great choice for larger projects.
The QCon Pro X is a great choice for those looking for a control surface with a lot of features. It features 43 assignable, backlit user keys and human engineering optimized for fast, comfortable operation. The large, central Alps mm touch-sensitive motorized fader with bit resolution and LED ring provides smooth level control of your main mix or channelstrip. The segment LED meter bridge keeps an eye on your levels, while the OLED display provides information on track names, plug-in parameter values and more.
UF8 is USB 2. The LED ring around the encoder provides an instant visual feedback of the assigned logic pro x control surface free. The app provides you with a number of workflow-enhancing features such as:.
This is especially useful when dealing with large projects. The OLED display provides information on track names, plug-in parameter values and more. Intelligent Channel Encoder is a great feature that allows the user to control the DAW with great ease. The encoder automatically detects the type of parameter that is being controlled and adjusts the resolution accordingly.
It provides the user with great control over their DAW and allows for a great workflow. The only downside is that it is not compatible with all DAWs. However, the DAWs it is compatible with are some of the most popular ones.
No driver installation is necessary; just plug the control surface into a USB port and take command of your mix.
FaderPort 16 features 16 touch-sensitive, long-throw faders; 16 Scribble Strip displays; and complete transport controls, making it easy to control every logic pro x control surface free of your session. The Session Navigator provides quick access to track scrolling, channel banking, timeline scrolling, and more. Channel controls logic pro x control surface free взято отсюда, pan, solo, mute, and record arm. Automation controls let you touch, latch, trim, write, read, and off.
You can also use the fader port 16 to control plug-ins, bus sends, and panning. USB 2. The buttons are clearly labeled and easy to use.
The Channel controls include level, pan, solo, mute, and record arm. You продолжить also use the FaderPort 16 to control plug-ins, bus sends, and panning. PreSonus FaderPort 16 features 16 Scribble Strip displays, which let you see the names of your tracks and parameters at a glance.
The displays are backlit, so you can see them even in low light conditions. The FaderPort 16 also features a large, easy-to-read LCD screen that shows you vital information about your session. It offers universal compatibility, transport controls, scribble strip displays, and much more.
That being said, the FaderPort 16 is a great logic pro x control surface free and an excellent choice for anyone looking for a quality DAW control surface. The X-TOUCH features 9 fully automated and touch-sensitive mm motorized faders, making it easy to see every ссылка на подробности or automation you write in real time.
The included LCD scribble strips provide an instant visual readout of which track and parameter you are adjusting, eliminating the need for old school tape-and-marker labeling. The Behringer X-TOUCH features 9 fully automated and touch-sensitive mm motorized faders, making it easy to see every move or automation you write in real time.
The LED collars provide an instant visual readout of the parameter you logic pro x control surface free adjusting. The Mackie Control software is a free download from the Behringer website. It features 9 fully automated and touch-sensitive mm motorized faders, 8 rotary controls with LED collars, and 92 dedicated illuminated buttons.
This tiny powerhouse will surprise you in every stage of your recording and mixing session. Presonus Fader Port is a perfect combination of low budget and powerful control surface. You can get it with just a fraction of money than other standard control surfaces. This 5. If you logic pro x control surface free searching for the best control surface for logic pro x then this will be my 1st recommendation.
Presonus Logic pro x control surface free Port has dedicated transport control. However, many control surfaces have dedicated transport controls but imagine a control surface you can hold on your hands when operating. This is an added advantage of Presonus Fader Port and makes you more comfortable in a long recording session.
Due to the doubling nature of dBin the low ends, you struggle in balancing your faders on the computer screen. In the low ends like below dB, a very small movement of fader can change the основываясь на этих данных dramatically. Here a full-length mm physical fader helps you to optimize your mixing. With hardware faders, you can play with those small volume changes without struggling with your computer mouse. Presonus Fader Port has not only mm standard fader but the faders are motorized too.
The motorized fader helps you to create some awesome automation in your tracks.
Logic pro x control surface free
The rest of the controls are designed around a single goal: to complement your keyboard-mouse, not to replace them. I appreciate this approach, especially since most producers are already used to the keyboard-mouse combo.
Far too many control surfaces try to do everything and the kitchen sink, forcing producers to retrain their habits. This unit recognizes that that is neither feasible nor desirable. Build quality is solid throughout. I particularly like the dimensions. It’s small enough to take minimal space on your desk, yet not so small as to make the buttons and faders unusable.
I prefer this smaller footprint over some of the larger control surfaces that take up too much desk space. What’s left to consider is compatibility. Which is expected since they’re from the same brand. If you use Studio One, buying this control surface is an absolute no-brainer. That said, you’ll find that the PreSonus FaderPort is also one of the best control surfaces for Logic Pro X, with tight integration out of the box.
The buttons are a little hard to press. There are also reports of compatibility issues with the some versions of macOS Catalina. Recommended for: A powerful, capable, and most importantly, affordable control surface for home studios. Excellent compatibility with most DAWs, a touch-sensitive motorized fader, and an excellent encoder make it one of the best control surface for Logic Pro X in Right out of the box, the sleek and compact design of the device is lovely to behold.
The top panel comes in black matte while the rear has an orange hue. The slim design makes it easy to move about with this surface control; it fits in a backpack easily and will be great for DJs that move around.
On the top right of the device, there is a Send All button. South of this is the Solo button. Below the Mute button are the Record-Arm buttons. As per Akai standard, this control surface is of solid build. It feels strong and reliable to touch. The knobs are small but not so small that they’re hard to use. The entire unit itself is small enough to fit comfortably on a desk. It’s also light enough that you can drop it into your gig bag and carry it around.
The included software editor is powerful and intuitive enough that you can also customize the integration as per your needs. Although it does not have as many features as some other surface controllers on the list, it offers great value for the price.
It lacks Device control, which I found to be a surprising decision from Akai. The knobs might also feel a little small if you have large hands. Some users report issues with the lights not lighting up — even when the rest of the unit works fine. A small quibble has to do with the quality of Akai’s gel buttons. These gel buttons can be found on all of Akai’s lower-tier devices, from MIDI controllers to control surfaces, and it’s never a good experience using them.
They feel sticky and not tactile enough. Akai, if you’re reading this, please find better gel buttons on your devices! It is affordably priced and works great out of the box. Perhaps it’s not the most full-featured controller around, but if you’re looking for the best control surface for Logic Pro X on a budget, you’ll love this unit.
With regards to their design, I found the Behringer X Touch to be a rather thick and clunky control surface. It is not as slim as many of the control surfaces I have tested. I’d even say that when placed on a desktop, you might have to raise your chair height an inch or two if you are sitting while operating it. The height and thickness make it a tad uncomfortable reaching for the faders and make it hard to see the display properly while sitting.
Despite the less than ideal thickness, this control device performs rather superbly, especially for serious producers. Aside from the physical dimensions, the device has connectivity options galore.
While testing, I connected the device to Logic. It offers a really stunning functionality level with all the faders, knobs and buttons. The device supports the MCU protocol quite extensively. The transport buttons here feel really firm and sturdy and are very functional.
Following the announcement of the Avid S4 as the replacement to the M10 version of the Avid S6, Avid realised that existing Avid S6 M10 owners might not be very happy as the Avid S4 can have display modules, whereas if you wanted display modules with the Avid S6, you had to go for the M40 option.
Are you tempted or is this type of bargain hunting pure madness? In this article we give you an up close and personal look at the Avid S3 coupled with an iPad running the free Pro Tools Control app to give you and idea of what the S3 could be like to live with if you chose to invest in one for your studio. If you are still using a HUI based control surface with Pro Tools and you find that the meters on your HUI control surface stop working then check out this article, we have the answer.
In this article we list six used Pro Tools Bargains that you can buy second-hand today for a fraction of what they would have cost you new.
The article gives you information on support and compatibility with Pro Tools, technical faults to watch out for when buying one of these units used along with ballpark values based on units what they are currently listed for on eBay. The Avid Pro Tools C 24 control surface is coming to the end of its life. As we mentioned in our comprehensive History Of Pro Tools , Avid announced the end-of-life date of the much-loved C24 as 31st December , with an end of support date 5 years later as 31st December Does this mean that it is the end of line for the C24 or does this popular control surface still have a future?
We investigate…. Paul Neyrinck has done it! Read the rest of the article for more details. What should you do? We offer some help and advice. Paul Neyrinck has released a progress report on supporting Pro Control and Control 24 in V-Control Pro so users can use these legacy control surfaces in Pro Tools 11 and above. He is also looking for a small number of beta testers with specific requirements. We asked if you would complete a short survey and Paul has now announced the outcome of the survey and how he plans to move forward.
We have covered several attempts to get legacy control surfaces working with later versions of Pro Tools. In this article we celebrate all that’s good about the C 24 along with some well-documented problems in its design, I suppose we could call this a review of the C You can move one or two faders at the same time, set the values of the pans, sends, master fader, write automation and use the trackpad as a jog wheel by using simple touch commands and without the need of moving the mouse pointer.
Not bad value for money but not the cheapest point of entry into eight-fader control surfaces for Pro Tools either. Luckily, there is an alternative Our recent Poll on Control surfaces and Pro Tools received over responses. In this post we share a breakdown of the results data. There are always compromises with small control surfaces. Send and plug-in parameters Send Slot: Drag vertically, or enter an integer value to set the currently selected Send slot.
The default is 1, which sets the first top Send on each channel as the Send slot. A value of 2 sets the second send as the Send slot, a value of 3, the third Send slot, and so on.
The choices are: Destination: Encoder is used to determine the bus channel number for the Send slot. Level: Encoder is used to adjust the Send level. Send Parameter Page: Drag vertically, or enter an integer value to set the current page for the Send parameters. Up to 32 parameters are available in Send Channel Strip view for a given channel eight Send slots multiplied by the four parameters listed above. Split: no. The remaining encoders belong to Split Lower.
A value of 0 means that Split mode is off all encoders are assigned to the Split Upper area. They are called Split Upper and Split Lower. Instrument Parameter Page: Drag vertically, or enter an integer value to determine which parameter is assigned to the leftmost encoder when editing a software instrument.
The next instrument parameter is assigned to encoder 2, and so on. This applies to Split Upper when Split mode is turned on. Inst Param Page Split Lower : Drag vertically, or enter an integer value to set the parameter that is assigned to the leftmost encoder of Split Lower when editing a software instrument when Split mode is turned on.
Insert Slot: Drag vertically, or enter an integer value to set the current Insert slot number, both for selecting a plug-in in Plug-in Channel Strip view and for editing its parameters.
The default is 1, which sets the first top plug-in slot on each channel as the Insert slot. A value of 2 sets the second plug-in slot as the Insert slot, and so on. This applies only to Split Upper when Split mode is turned on. Insert Slot Split Lower : Drag vertically, or enter an integer value to set the current Insert slot number for Split Lower when selecting or editing a plug-in when Split mode is turned on.
Note: The effect plug-in and instrument page parameters are kept separate because this allows you to quickly switch between editing an instrument and editing an effect plug-in on a channel, without adjusting the parameter page every time. Plug-in Parameter Page: Drag vertically, or enter an integer value to define which parameter is assigned to the leftmost encoder when editing a plug-in.
The next plug-in parameter is assigned to encoder 2, and so on. Plug-in Param Page Split Lower : Drag vertically, or enter an integer value to define which parameter is assigned to the leftmost encoder of Split Lower when editing a plug-in with Split mode turned on. Channel Strip Track: Drag vertically, or enter an integer value to define which track is displayed for Channel Strip views.
Channel Strip Track Split Lower : Drag vertically, or enter an integer value to define which track is displayed in the Split Lower section of the control surface for Channel Strip views, when Split mode is turned on. Track Lock checkbox: Click to determine how the control surface responds when a track is selected in Logic Pro in essence, this remotely affects the Track and Track Split Lower parameters.
When Track Lock is turned on, the control surface group continues to display the same track, independent of the currently selected track in Logic Pro. When Track Lock is turned off, the control surface group automatically switches to the track selected in Logic Pro. Other parameters Track Name Format: Choose whether the track name display shows only the track name or the track name and number. Parameter Page Shift Mode: Choose whether the parameter is shifted by one page or by one parameter.
Relative Change Mode: Choose the mode for controller assignments that support a Relative Value Change mode rotary encoders, for example. The choices are: Coarse: The parameter is adjusted in coarse steps. Full: Rotating the encoder to the right sets the maximum value and rotating it to the left sets the minimum value. The encoder also stops at its default value. For example, when the Pan knob is left of center, turning the encoder to the right initially sets the Pan parameter to the center position its default value.
A further turn to the right sets Pan to full right its maximum value. Fine: The parameter is incremented or decremented in fine steps by one tick or other unit. In this mode, the highest possible resolution is used. For example, when editing the Sample Delay plug-in s Delay parameter, every encoder tick increases or decreases the value by 1 sample, regardless of the resolution value.
Mix Group: Drag vertically, or enter an integer value to determine which group is edited when in Group Edit mode. Group Parameter Page: Drag vertically, or enter an integer value to define which parameter of the edited group is assigned to the leftmost encoder. Important: If you want to make changes to the default assignments of control surfaces, you need to use the Controller Assignments window Easy view or Expert view.
See Controller assignments overview. Click the General or Help Tags tab to access the associated preferences. This command is useful for silencing motorized control surface faders when recording in the same room.
General preferences Bypass All while in background checkbox: Turn on to allow your control surface to be shared with other applications, when Logic Pro is not the active program. Resolution of Relative Controls slider: Drag to set the resolution of controls that change values in a relative manner. The default resolution is steps. Choose a higher resolution value to divide the value range into finer increments. You can adjust the value if MIDI or automation playback is being affected.
Touching fader selects track checkbox: Turn on to select the track corresponding to the fader when you touch a fader on the control surface. Note: This feature works only with devices that have touch-sensitive faders. Control surface follows track selection checkbox: Turn on to automatically select the corresponding track or channel on the control surface when you select a track in the Tracks window.
To retain a consistent resolution, regardless of Logic Pro window zoom levels, deselect this checkbox. Pickup Mode checkbox: Turn on to use your control surface in Pickup mode if this mode is available. Some control surfaces, typically those without motorized faders or knobs, do not show parameter changes caused by playing back existing automation data on their interface.
Such control surfaces usually offer a Pickup mode. In Pickup mode, the controller must reach pick up the current value before the value starts to change. This feature prevents sudden jumps of parameter values caused by playing back automation. Your device may provide a display usually a pair of arrow LEDs that indicates the direction or distance you need to move the controller, in order to match the settings shown in Logic Pro also known as NULL.
Once you have matched the onscreen values, deactivate Pickup mode and start automating. When Pickup mode is turned off, adjusting a fader modifies the parameter immediately which can result in parameter value jumps. Flash Mute and Solo buttons checkbox: Turn on to make the Mute and Solo buttons on the control surface blink flash on and off when mute or solo modes are engaged.
Multiple Controls per Parameter pop-up menu: Choose the maximum number of encoders used for each parameter when editing plug-ins or audio instruments. The choices are: 1: Parameters are always displayed using one encoder per parameter, with the least space available for the parameter name and value in the LCD. The first encoder of each group controls the parameter shown in the display. The remaining encoders are inactive. Using more than one encoder per parameter shows fewer parameters at any given time, but you gain space on the LCD to cater to longer parameter names and values.
The more control surfaces you have within a control surface group, the more you benefit from this feature. Only when all parameters fit on one page checkbox: Turn on to use the defined number of encoders only when there are sufficient encoders available to show all parameters without changing pages. Eleven encoders remain unused. A plug-in with 11 parameters is shown with two encoders per parameter. Two encoders remain unused as do the inactive encoders of the subdivisions mentioned above.
When this parameter is turned off, multiple encoders are used for each parameter, which may require scrolling. This is not the case if only one encoder is used for each parameter. You can set this option separately for instrument and plug-in parameters, and for volume and other channel strip parameters. Turn off this option if viewing units makes the display too cluttered. Controller Assignments button: Click to open the Controller Assignments window. Expert view is available only when you select the Show Advanced Tools checkbox and the Control Surfaces checkbox in the Advanced Logic Pro preferences.
Setup button: Click to open the Control Surfaces Setup window. Help Tags preferences For control surfaces that feature programmable displays with more than six characters per line or segment of the display, you can change the way help tags are shown. Control surface help tags show additional information during use. Help Tags preferences While editing show long names for checkboxes: Turn on the two checkboxes in this section to determine how parameter names and values are displayed on the LCD of the control surface.
Parameter name checkbox: Turn on to show the full parameter name in the upper LCD line when you edit a parameter. Parameter value checkbox: Turn on to show the full parameter value in the lower LCD line when you edit a parameter. Note: The following options only have an effect if at least one of the two parameters described above is active. The owner or authorized user. The owner or authorized user of a valid copy. Under copyright laws, this guide may not be duplicated in whole or in part without the written consent of.
Under the copyright laws, this manual may not be copied, in whole or in part, without the written. Main features The owner or authorized. Basics Mbox 2 Version 7. This guide may not be duplicated in whole or in part without the express written consent of.
Under the copyright laws, this manual may not be copied, in whole or in part, without the. Mbox Basics Guide Version 6. Manual Disclaimer The information in this document is subject to change without notice and does not represent a commitment on the part of Native Instruments GmbH. The software described by this document. All Rights Reserved. Setup Guide Disclaimer The information in this document is subject to change without notice and does not represent a commitment on the part of Native Instruments GmbH.
Welcome to icue! If you have multiple control surface units, you can define how they relate to each other by creating control surface groups. A control surface group consists of multiple devices that you combine to create a single, unified virtual control surface. You can create up to 20 control surface groups. Each group can consist of any number of physical devices. The only limiting factor is the number of available ports.
You can independently determine the default behavior of each device in a group.
Avid S1 – Mixing Board Slimline Control Surface
Aug 01, · The additional feedback these provide makes them easier to use without looking at your computer screen or relying on mouse interaction. Logic Pro provides dedicated support profiles plug-ins for a number of hardware control surfaces, enabling control of transport, mixing, recording, automation, and other tasks. 10 control surface for logic pro x: Editor Recommended # Includes free recording software, such as Harrison 32C Vocal Intensity Processor, a “greatest hits” collection of features from Harrison’s analog console heritage, Harrison AVA plugins and Mixbus32C workstation; Tracktion DAW Essentials, a collection of 16 contemporary FX. Mar 16, · With the FaderPort 8 control surface, you’ll be able to mix and manipulate your DAW (or Logic Pro software) in a fraction of the time. This teeny-tiny powerhouse will astound you at every turn during your recording and mixing session. The Presonus Fader Port is an excellent compromise between a low price and a powerful control surface.